Ashlee Bankz Releases New Album “Misery Loves Company”  

 

Image Via @ashleebankz

 

Ashlee Bankz has been making music as far back as 2016. All of these years of work have led us to the album: Misery Loves Company. Ashlee is from South Chicago, one of Hip-Hop's most reputable cities; however, she’s not letting her hometown define her. There is so much talent brewing in the city for Ashlee, so it’s about setting herself apart. The first single that gave Ashlee an edge was “I Called You” back in 2017. This track gained widespread attention and remains her most streamed track. Let’s focus on the new stuff and dive into some of my favorites off of Misery Loves Company.

One thing about Ashlee: she brings a hard edge and raw lyricism. She has a certain aggression in her flow that fills the room with energy. I could compare Ashlee Bankz to artists such as Rico Nasty, Doja Cat, and Lakeyah. She has a sound that sets her apart, similar to how these artists have created their own space. On some of my favorite tracks, such as “Payback”, “IYKYK”, and “Outside,” it’s evident that Ashlee is in fact outside. She brings the vibe that she’s in the mix and on her shit–these tracks are raw, genuine trap songs. 

Ashlee maintains versatility across this tape. Beyond her hard hip-hop tracks are more melodic pieces, where she showcases a dreamy, feminine sound. On singles such as “Get So Lucky,” “Be Fr Fr,” and “Closure,” she draws her R&B side to the surface and creates some chilled out pieces, still speaking on themes that align with the whole tape. Ashlee focuses on her confidence, hard work, and simply prioritizing herself. 

It is evident that Ashlee Bankz isn’t new to the music scene; she's been working hard and putting out music for years. There's something different about Misery Loves Company, where her sound and quality have truly leveled up. She’s found her lane and focused on curating a full body of work. This album is a strong start to the year and, hopefully, she begins to gain the wider recognition she deserves. 

Written By Milly Wensley